At just 20 years of age, the Franco-Catalan soprano Lauranne Oliva made a big impression at the 2020 edition of the famous ‘Nuits Lyriques’ competition in Marmande, winning the First Prize for Women in the Opera category, the First Prize for Best Newcomer and the Second Prize in French mélodie.
Following a faultless school curriculum and musical studies at the Perpignan Conservatoire in Christian Papis's singing class, she was awarded the Prix d'Excellence in May 2021.

In September 2021, she joined the Opéra Studio of the Opéra du Rhin in Strasbourg, where she sang La Princesse and La Chauve-Souris in Ravel's L'Enfant et les Sortilèges.
A member of Génération Opéra's 2022 promotion, Lauranne won two prestigious competitions in autumn 2023: the Paris Opera Competition, First Prize and Audience Prize, and Voix Nouvelles, First Prize and Special Prize of the Swiss Theatres. She was also nominated in the ‘Lyric Revelation’ category at the 2024 Victoires de la Musique Classique.
Lauranne soon began performing in concert as Susanna in Le Nozze di Figaro, as well as in major choral works such as Haydn's The Creation, Mozart's Missa solemnis and Schubert's Stabat Mater.
She made a brilliant debut singing the roles of La Musicà and Euridice in Monteverdi's L'Orfeo, La Fortuna and Giunone in Il Ritorno d’Ulisse (Théâtre des Champs-Élysées, Arsenal de Metz, Victoria Hall in Geneva), and finally Drusilla in L’Incoronazione di Poppea in 2023 at the Théâtre des Champs-Élysées again, then in a stage version under the conducting of Raphaël Pichon and Evgeni Titov as stage director at the Opéra du Rhin.

During the 2023/2024 season, Lauranne sang the role of Ellen in Lakmé at the Opéra de Nice and at the Opéra du Rhin (directed by Laurent Pelly). She made her debut as Pamina at the Théâtre des Champs-Élysées in a adapted version of Mozart's The Magic Flute, directed by Julie Depardieu, and joined the Theater an der Wien for the role of Lipi in Salieri's Kublai Kahn (Christophe Rousset/Rafael Villalobos). She finished the season in Paris at the Opéra-Comique, singing the title role in Charpentier's Louise in an adapted version, directed by Héloïse Sérazin.

The 2024/2025 season saw Lauranne blossom: at the start of the season, she returned to the Opéra du Rhin, for the role of Dalinda in Händel's Ariodante under the baton of Christopher Moulds and directed by Jetske Mijnssen. She was Aspasia in Mozart's Mitridate, Re di Ponto at the Opéra de Lausanne (Andreas Spering) and then Ismene in the same work the Opéra de Montpellier (Philippe Jaroussky).
Lauranne appeared at the Théâtre des Champs-Élysées in Paris in Händel's The Messiah and Pergolesi's Stabat Mater, conducted by Hervé Niquet and Vincent Dumestre respectively. She brilliantly made her débuts at the Festival d’Aix-en-Provence in the title role of La Calisto by Cavalli, conducted by Sebastien Daucé and directed again by Jetske Mijnssen.

In 2025/2026, we can mention several performances in prestigious venues: débuts with the Berliner Philharmoniker conducted by Emmanuelle Haïm; Morgana in Händel’s Alcina with Philippe Jaroussky, Kathryn Lewek and Carlo Vistoli (Paris, Barcelona, Montpellier); Norina in Donizetti’s L’Elisir d’amore at the Opéra de Toulon; Rozenn in Lalo’s Le Roi d’Ys at the Opéra du Rhin with a staging by Olivier Py; Poppea in Händel’s Agrippina at the Opéra de Rouen with Christopher Bates and Robert Carsen.